Shoot Diary-16/11/19

What did you do?

This week consisted of the Cinematography masterclass, which was led by Daren Eagles who teaches part-time at Sheffield Hallam University. In this session we covered the more theoretical and skilful part of cinematography, as we learnt what certain shots are trying to say, through the positioning of the characters(whether there is looking space or not, where they are on the rule of thirds…) and how this creates a deeper meaning to the scene, how focus is important to the shot- including depth of field and what you are trying to demonstrate through use of the camera.

As well as learning about different types of shots, e.g extreme long shot, long shot, establishing shot, mid shot, closeup, extreme closeup… I also learnt that through cinematography, each shot in any film has a purpose, and is used to either convey a specific   meaning, emotional response or is used to drive the narrative forward.

In the next session of the day, we were then introduced more into the practical side of film making, lead again by Daren Eagles and also Rob Speranza, a film producer. In this part of the day, as the DOP (Director of Photography) for my short film, I worked especially close with the cameras, learning and getting used to using them, in preparation for Shoot Day. The Image result for tv cameras canonequipment we looked at were the cameras, tripods, boom mics and radio microphones, where both Daren and Rob gave us a demonstration before allowing us to experiment. 

What have you learnt?

Today I learnt how to actually use a high end camera and shot some scenes using it to experiment and get used to my role as Cinematographer. This was as a result of getting to know my way around a camera, through focus, white balance, zoom, and microphones.

How have you worked with others?

Today new were split into groups of five to look at the cameras and test them out by filming a short sequence of shots, where we used teamwork through working together closely and helping one anther when we struggled setting up the cameras.

What do you need to develop?

I feel as though when I am filming in the future, that I need to be thinking about continuity, such as boom mikes/feet/reflections/positions of actors or objects, otherwise the film will not flow and will make it difficult for the viewer to focus if there is so much chaos and un-organisation going on, on screen.

I also feel that I need to include more complex shots on the actual shoot day to convey more meaning to the scene.

Shoot Diary-9/11/19

What did you do?

Today was the first session of the BFI Academy and we got through so much in such little time. I met with Paul Frasier (a screenwriter known for the film dead Mans Shoes), Caroline Cooper Charles (a producer) and Rebecca Mark Lawson (another producer with her own production company called ‘Tyke Film’ which is located in Sheffield).

With Paul Frasier we discussed characters and the Arcs that stories have. In this set time we were all split into small groups and we each would wriye a paragraph in the 3rd person about a character/ a location/ or even an event, before passing to the person next to you. Eventually the paper that we each started with, got back to us and we had a complex and unusual story by the end. The aim of this activity was to learn the fundaments of a story and the arc the plot and characters, take when they come face to face with problems – as we realised earlier that day that every story has a problem.

Next we had a session with Caroline Cooper Charles, a producer who came in to talk to us about the process of film making, including pre-production, production and post-production and the roles involved with each of these stages. This was a more independent part of the day, as we were expected to contribute in figuring out what roles in films production belong where. I found this really useful as it allowed me to find a deeper understanding of exactly what goes on in production.

After lunch we had our final session with another producer named Rebecca Mark Lawson, who had produced the documentary ‘Irenes Ghost’ in 2018, which which won the prize for Best Feature Documentary at the Filmstock International Film festival, 2019 as well as two other wins ans two nominations. She discussed with us the correct layout and fonts to be used in scripts to prepare us for the scripts for our very own short film. We then watvhed 2,20 a dystopian short film.

What have you learnt?

I feel as though through today’s session I have generally further developed my knowledge of the film world and the processes and different jobs involved in order to accomplish a finished product.

How have I worked with others?

In the time where we worked together to complete tasts I feel as though I worked well with thise around me, listening to their ideas and generally keeping an open-mind, yet also staying focused on the task at hand. I also contributed to discussion and so I felt that I was putting myself out there more than I usually would and for that I feel proud as I have fully come out of my comfort zone.

What do you need to develop?

 I feel that after today I need to develop massively my knowledge and variety in the short films that I watch, so that I may find it easier when it comes to making my own. I will also research more into other films generally by looking at shot lists and scripts used.

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